The Artist's Path: 5 Fine Artists who Make a Living with Their Art
For this blog post, I've decided to highlight 5 professional fine artists, who make a living with their art, in order to inspire emerging artists that this career path, even though it's hard, is possible. These artists kindly shared with me who they are, what they do, and a piece of wisdom they learned along their creative journey.
For this blog post, I've decided to highlight 5 professional fine artists, who make a living with their art, in order to inspire emerging artists that this career path, even though it's hard, is possible. These artists kindly shared with me who they are, what they do, and a piece of wisdom they learned along their creative journey.
Bridget Bossart van Otterloo
“Time is your most valuable asset. Everyone gets the same amount of time in one day, it’s your choice to decide how you’re going to spend it. Make what’s important to you a priority.”
Q: Who are you and what do you do?
A: I'm a painter living in Corning NY, a small town with a great art community. I spend most days working in my home studio. I also teach part time in my studio and at 171 Cedar Arts Center here in Corning. https://www.171cedararts.org/classes/drawingpainting
My work is inspired by the beauty in nature.
Here is my Artist Statement:
My work is about the beauty in nature. I believe that this beauty enriches our existence, if we can only take a moment to pause our busy lives and take notice. Natural forms, elegant lines, bold colors, and the intrinsic details found in nature are the themes in my work. When painting, I represent nature accurately, but also with my own impression. I use the paint, oil or watercolor, in thin transparent layers. This layering technique creates a luminous glow throughout the piece, as light passes through and bounces off the different layers. With nature as my muse, I have yet to run out of inspiration. I hope my work serves to reconnect you with her beauty.
My work can be viewed at the West End Gallery and The ARTS Council of the Southern Finger Lakes on Market Street in Corning, NY. It can also be viewed at the Nan Miller Gallery in Rochester, NY
Q: How has your practice changed over time?
A: My work has always been inspired by nature. Over time I've broadened my subject matter to include landscapes and figurative work. I also enjoy working in ceramics from time to time.
Q: What work do you most enjoying doing?
A: My favorite part of the process is setting up a still life. It's at this point that the painting is full of potential and possibilities are endless.
Q: What’s the best piece of advice you’ve been given and learned in your art career?
A: Time is your most valuable asset. Everyone gets the same amount of time in one day, it's your choice to decide how you're going to spend it. Make what's important to you a priority.
Wendy Harris
“you never get worse by doing - just keep painting”
315-727-6577 www.wendyharrisfineart.com
Q: Who are you and what do you do?
A: I’m largely a landscape painter, both plein air and studio; pastel is my primary medium. I love the immediacy, vivid color, depth, and elasticity of soft pastels. And I’m just finishing up a 48 x 75” commission of a cityscape done in acrylic and oils. I’ve been graced to have been the singular 2D commissioned artist for Upstate Medical Center’s new Cancer Treatment Center which is entirely decorated with regional art along the theme “healing through nature.” I have eight additional paintings and prints in the exquisite facility. I am happily getting a reputation for being the go-to artist for healing environments. What an incredible privilege.
Q: How and where do you work?
A: My studio is in Syracuse's Delavan Center, the largest collection of artists under one roof between Rochester and Albany. I work, as well all do, in solitary pleasure. I am happy to get outside when the weather allows but nothing is as rich as the late summer and autumn months in Central New York State. Strangers invited me to visit and paint where they lived… France. I very much liked that too…! Where to next?!
Q: How has your practice changed over time?
A: This latest commission has forced me to be doggedly dedicated to daily painting for several months, a discipline I have long resisted but welcomed and learned from. My practice has changed over time. First, I have matured as an artist due to just age and doing. I have come into my own, finally being able to say “I can do this” and "this is who I was meant to be.” I now give private lessons and love it. I am working into the use of a brush and other mediums, eager to see where that takes me. I am getting looser and more daring in color, both are welcome but not always predictable.
Q: What work do you most enjoying doing?
A: I confess I love chasing clouds and the late afternoon golden hour. Those are two distinctly different activities and times of day as clouds so often disappear at sunset. Clouds require reference material in a studio as they are so ephemeral. I’m a proud member of the Cloud Appreciation Society. Golden hours are meant for plein air painting which is so satisfying - the conditions of the day return as a gestalt whenever I view the image. Maybe the moment you fell in love does that for you, but here it is repeated so many times with the many wonders of the natural world. I count myself very lucky.
Q: What’s the best piece of advice you’ve been given and learned in your art career?
A: “you never get worse by doing - just keep painting”
Cayetano Valenzuela
“[Every] one of us is equal in the fact that we are given 24 hours...in a day and we chose what we do with that 24 hours...Are we dedicated enough to make that time count? ”
Q: Who are you and what do you do?
A: My name is Cayetano Valenzuela and I am the owner of Black Rabbit Studio. Black Rabbit paints signs, does illustration and a little design work.
Q: How and where do you work?
A: I have a studio in the Delavan Building on West Fayette St. Syracuse. I also have a home studio and workshop. I cut and build at home and paint at the studio. I draw wherever.
Q: How has your practice changed over time?
A: Most definitely. Hand painted signs have been keeping my pretty busy these days. I had been doing more illustration and painting five years ago. I still do that but I have had to find a new balance in order to grow my business. I think I am still changing how my business works and what it works on. I am constantly trying to refine Black Rabbit Studio
Q: What work do you most enjoying doing?
A: Honestly I love to draw. I love to draw letters and I love to draw figures. I also love vintage ephemera whether it be old circus & movie poster or fading ghost signs. Searching for inspiration in old books or on the internet or in antique shops and finding great illustrations or examples of lettering is so much fun.
Q: What’s the best piece of advice you’ve been given and learned in your art career?
A: The best piece of advice came from my college professor Prof. Torlen. He said, We are not actually born equal, we are born under different circumstances and different economic and social barriers, We all have different skill levels and drivers. However, where we are in fact equal, every one of us is equal in the fact that we are given 24 hours. 24 hours in a day and we chose what we do with that 24 hours. We could go to the movies we could sleep we could go a hang out with friends and we can make art. Each one of us must chose what we do with those 24 hours. What we as artists must decide is this: Are we dedicated enough to make that time count? The dedication to have a life in the arts for me came from those words. It has continued to inspire me to this day. I can't and will not have a life where these hands don't make art everyday in one form or another. I know that is what I am made for. So I swing a brush for a living and I am happy to do just that.
Lucie Wellner
“Hillary Paige...taught me to use a small “view finder” made out of a piece of matboard and clear plastic, divided into quadrants. This helps see, select, and simplify...the scene. I never start a plein air painting without it.”
Q: Who are you and what do you do?
A: I am an artist and designer. My focus is primarily watercolors and I also do some freelance design. I paint watercolors outside as much as I can, and also paint in my studio at home in Pompey. Traveling always offers loads of inspiration because the landscapes and light quality are different from Central New York. The studio is great because I can control my environment and touch up hastily painted scenes, explore new techniques and mediums and incorporate photographic references. I try to stay away from copying photos, but occasionally they are very useful as a departure point, or for creating a painting that is less dreamy and more accurate. An example of this is this painting of a rose that I photographed at the E. M. Mills Rose Garden in Thornden Park.
Q: How has your practice changed over time?
A: I have tried to focus mostly on watercolors in order to get a handle on how to best use the medium, but I remain interested in drawing with pen and ink, block printing, and fantasize about learning about a million other art practices. I like to test out new techniques at Open Figure Drawing. The figure never disappoints as inspiration.
http://openfiguredrawing.com/
Q: What work do you most enjoying doing?
A: The work I enjoy doing the most is un-interrupted, hands-on activities that help turn down the volume of brain static. Painting outside, especially in a secluded area, satisfies this requirement perfectly.
Q: What’s the best piece of advice you’ve been given and learned in your art career?
A: If I have to cite just one piece of advice that I've received, it's the one from Hillary Paige. She taught me to use a small "view finder" made out of a piece of matboard and clear plastic, divided into quadrants. This helps see, select, and simplify (her words) the scene. I never start a plein air painting without it.
Linda Bigness
“Be your own critic and work everyday.”
Q: Who are you and what do you do?
A: I am a professional artist in residence at the Studio 245, Delavan Center, 509 W.Fayette St. Syracuse, NY Phone: 315-491-3346
Q: How and where do you work?
A: Studio 245
Artist Statement
I am an internationally exhibited artist who maintains a gallery/studio in Syracuse, New York. My work has been exhibited in several prestigious solo and group shows that have involved notable jurors such as art critic Clement Greenberg, Ivan Karp, director of OK Harris Gallery in NYC, and Tom Piche, director of the Daum Museum of Contemporary Art. In addition, my large scale paintings are often selected and commissioned for corporate and residential clients, including the Turning Stone Resort, Merrill Lynch Corporation, Haylor, Freyer and Coon, and Bausch and Lomb. I continue to exhibit professionally at several venues with artwork featured frequently at the Nan Miller Gallery in Rochester, NY.
Presently I am working on my latest book and exhibition about abstract art and the contemporary processes used by working artists today. Part of the research for this book is taken from the workshops I teach and my oil painting and mixed media collage experience. For over 30 years I have used my expertise to share with others the unique beauty and processes of my chosen medium through writing, teaching and professional exhibits.
My first book “Paint It, Tear It, Create It” offered the reader insight into visual abstract thinking through the process of collage into painting. I continue to explore the abstract through surface manipulation using encaustics and oil and I am currently working on a new series, the “Journey Stones Revisited,” that reflects my extensive travels through the United States and Europe.
Q: How has your practice changed over time?
A: See my web site for the professional growth and new work: www.bignessart.com
Q: What work do you most enjoying doing?
A: I am a painter who enjoys the discovery of media and its applications in all forms.
Q: What’s the best piece of advice you’ve been given and learned in your art career?
A: Be your own critic and work everyday.
I hope you enjoyed learning about these talented painters as much as I did and took a moment to read their advice on time management, daily art practice, a trick to successfully paint an plain air, and how you should be your own and only critic.
Maria Rizzo
Unveiling the Symbolic Tree
Two weeks have passed since the grand opening of Trees of Onondaga: An Art Exhibition at the beautiful Onondaga Free Library in Syracuse, NY.
I decided to make this post visually interesting and simple by sharing with you all the moments that made this event really special. To learn more about this project read Melinda Johnson's beautiful article at "Artist Maria Rizzo ends her community tree projects with art exhibition,".
To follow are some pictures of the event taken by photographer, Ray Trudell.
At the event, I gave the 1st limited edition print to each of the photographers whose local trees were selected to be painted by me in 2014 then Tom Howard gave a wonderful presentation about some of the best trees we have in Onondaga county!
Lastly, the Symbolic Tree created by 45 Onondaga County residents was finally unveiled. But before showing the final piece, I want to share some of the many people who painted into this piece throughout 2014.
And now is the time to show the final piece!
The Onondaga Symbolic Tree, created by forty-five Onondaga County residents, was donated to the Onondaga Free Library on Saturday, March 14, 2015. It's limited edition prints are available online at https://squareup.com/market/maria-rizzo-art
Credits:
My latest projects were made possible with a $2,500 Individual Artist Commission Grant from CNY Arts Decentralization Program.
Here is a list of participating libraries and residents:
• Solvay Public Library, April 5: Wendy Pitoniak, Pattie Hicks-Fiegl, Suzanne Masters, Mitzie Testani and Teresa Gardner-Barndollar.
• Liverpool Public Library, April 13: Domenico Gigante, Mary Mollica and Kathryn Wehrung.
• Fayetteville Free Library, April 19: Nicole Moss, Lewis Karpel and Angela Cwickla.
• Skaneateles Library, April 26: Megan Jae Riggs, Renee Marati and Deb Tomushunas.
• Onondaga Free Library, May 4: Ray Trudell, Susi Buschbacher and Lynn Hofsonner.
• Salina Library, May 17: Vicky Storey, Celine Nicholas, Kathleen Reed-Buck and Anne Iles.
• Fairmount Community Library, May 31: Marylin L. Marcy, Dan Elsbey and Linda Helles.
• Maxwell Memorial Library, June 7: Shailesh Joshi, Mick Mather, Rena Brower and Theresa Stachurski.
• Baldwinsville Public Library, June 14: Maryann Guinta, Steve Nyland and Jeff Madison.
• East Syracuse Free Library, June 21: Angela Arrey-Wastavino.
• LaFayette Public Library, June 28: Connie Marion.
• Dewitt Community Library, July 12: Father and son, Nick and Nick Lozoponi.
• Marcellus Free Library, July 19: Debbie Fratter, Paulette Quinn and Stephanie Moncavage.
• Manlius Library, Sept. 6: Ellen McCoy and Phoebe Vitharana.
• Tully Library, Sept. 20: Sonya Shepherd, Brianna Darling and Isabella Puentes.
• Petit Library, Nov. 1: Stasya Erickson and Lynne Odell.
The Story Behind the Gingko Tree
This week I highlight the story of Ellen Leahy and her photo of a Gingko tree. She is one of the eight winners of the Best Onondaga County Tree Photo Challenge, an interactive art project that asked Onondaga County residents to go into nature, find the most beautiful trees in our county, and send their suggestions to me with a photo.
Describe yourself: name, age, location, what do you do for a living and what are some of your hobbies? Hello, I am a ladylike lady who is also a bit feral, living in the old veterinarian’s house in Skaneateles. I like to wonder.
Why did you choose to photograph this particular tree?
I am particularly drawn to gingko trees because their beauty and hardiness. This gingko in particular is rather tall. Gingkos are ancient!
What time of the year was it? It was in the fall - every Fall I watch this tree change from green to yellow.
What is the exact location of this tree? The tree is on the eastern side of the historic Kreb’s Restaurant building on Route 20 in Skaneateles.
How did you find out about this challenge? I think Facebook
The making of the 'Gingko Tree'
I chose this tree because I was attracted by its shape and color and because I was intrigued by its unique name. After doing some research I realized why the Gingko tree is such a fascinating species. Let me share a couple of facts with you:
"Botanical.com recognizes Ginkgo biloba as 'the oldest living tree on the planet that's been used safely for over 3000 years,' noting that this relic from dinosaur times 'was nearly wiped out during the Ice Age everywhere except in China.' " "Another notable ginkgo tree fact - the bark and leaves of the plant are believed to secrete a sap which acts as a fire retardant. One of the useful functions of ginkgo biloba is thus as a natural means of protection against fires."
Read more:
http://landscaping.about.com/…/fallfoli…/p/ginkgo_biloba.htm
http://www.all4naturalhealth.com/ginkgo-tree-facts.html…
Below you will see the development of this acrylic painting.
The finished Gingko tree from Skaneateles, NY was painted with Golden acrylic on a 24x18" gallery wrap canvas during the month of Febrary, 2015.
Gingko tree, 24x18" acrylic on canvas by Maria Rizzo, 2015.
The Story behind 'Trees on Franklin'
Plume Street, Syracuse, NY by Ray Trudell.
This week I will highlight the story of one the eight winners of the Best Onondaga County Tree Photo Challenge, an Interactive art project that asked Onondaga County residents to go into nature, find the most beautiful trees in our county, and send their suggestions to me with a photo.
I asked Ray Trudell to share with us who he is, what he does for a living, what are some of his hobbies, why was he compelled to photograph these scene, if he knew what type of trees they are and how did he found out about this challenge. Here it's his response:
"I’m 60 years old and live in Solvay now, however I have lived in Central New York all my life. I work in a paper plant on the corrugator that produces corrugated boxes. My hobbies are photography, reading, and writing poetry to go with some of my photographs. When I retire I hope to do more in the arts. This photograph happens to be an old favorite of mine that was taken in Franklin Square. The street is Plume St. and was on a Sunday morning just after a snow storm in February. While having coffee at Freedom of Expresso I was asked if I had my camera with me because the snow looked so beautiful. That’s when I went out and shot the picture. I know that two of the trees are Marigold, but I’m not sure what the trees are that line the street. I know that they have beautiful flowers in the spring and that the leaves are the last to fall in the autumn. I seen a posting on facebook and thought that this would be a very nice thing to be a part of."
- Ray Trudell
The making of 'Trees on Franklin'
What I found striking about Ray Trudell's photo was the unbelievable beauty of the tree in the foreground and its dancing shape against a spectacular urban winter wonderland's background. This is the very 1st painting I started in 2014 for the Best Onondaga County Tree Photo Challenge and probably the most difficult to paint due to the amount of details and me being a perfectionist... which is a curse, really! I'm glad I took my time with this piece and I hope you do enjoy it, too. Trees on Franklin is a 24x30x1.5" acrylic on canvas that I painted in April and May and finished in December, 2014.
Order this limited edition print online at https://squareup.com/market/maria-rizzo-art
This project is made possible with funds from the Decentralization Program, a regrant program of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature and administered by CNY Arts.
~ Maria Rizzo
MARIA RIZZO
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