New Small Oil Paintings from the VELATURA Series
I am so happy to introduce you to some of my new small paintings from my new series called VELATURA.
I am so happy to introduce you to some of my new small paintings from my new series called VELATURA.
What does VELATURA mean?
The term velatura reflects my painting process, which consists of the fabrication, subtle layers upon layers of color, of dreamlike, and sometimes playful, realities.
I adore creating art based on the real world but vividly transformed by my infatuation for soothing colors like purples, greens, and blues.
I truly enjoy creating paintings that reflect my admiration for nature's creative force. With each brushstroke, I feel a connection with its whimsical energy.
My approach to painting depends on the complexity of the subject.
To add to the realism of the painting, I add the velatura, which are numerous glazes of color.
When I paint evocative nature scenes, I play with blue-brown washes and bold, bright marks which slowly morph into a suggestive landscape.
This creative process begins with a dynamic abstraction and ends into a believable, yet personal, reality.
You can find my paintings at Natur-Tyme, 3160 Erie Blvd. East
DeWitt, NY or on my online shop.
Let me know if you have any questions!
Maria
Land Art
In order to grow as an artist, the best thing to do is to try something new and get out of your comfort zone. I would describe myself as a traditional two-dimensional artist; therefore, with this land art project, I was able to think outside of the box and instead of drawing with the typical pencil and paper, I went outside and started designing with what the land had to offer.
In order to grow as an artist, the best thing to do is to try something new and get out of your comfort zone. I would describe myself as a traditional two-dimensional artist; therefore, with this land art project, I was able to think outside of the box and instead of drawing with the typical pencil and paper, I went outside and started designing with what the land had to offer.
For my first Land Art project, I decided to create a Mandala design by using leaves and pines cones found and collected around the yard. My process was simple, I started with the yellow maple leaves and designed an oval, then I added the green lilac leaves and the brown pine cones to further develop that mandala and to create some contrast. I let three weeks pass by, and it was interesting to notice how the leaves were the most effected by the weather and the passage of time; yet, a couple of weeks later, I started to see a fading in the pine cones, as well, and the mandala was almost unrecognizable. The elements I had used to draw in the landscape went back to their real purpose of decay and renewal.
For my second project, I decided to create an installation of leaves tied by the stems on the branches of a bare arctic kiwi plant. After a month the vibrancy of the fall colors faded away.
For my third art project, I wanted to depict how the sun had an important role in creating instant drawings through its dramatic play of of lights and shadows.
For my fourth project, I decided to use recycled brown paper, braided tall weeds and plant to create lines which either flowed harmoniously with the landscape or harshly contrasted with it.
Lastly, I wanted to depict how a small land art design can have a great visual impact on the landscape, if even for a very brief period.
In conclusion, what I have learned from land art is that the creative process is more important than the final art piece, which is short-lived. While working on these art projects, I witnessed nature as a constant dynamic force. Through the sun, rain, and snow influencing and destroying my land art pieces, I felt the never ending energy and its effortless flow, and I saw the beauty of life in all its glory.
MARIA RIZZO
Trees, Lands & Dreams | Art Blogger #theartistspath | Art Educator | From Italy 🇮🇹🇺🇸 |